There are some folder options in the menu on the left. Highlight the entire sound clip using either 'Select All' or left click the mouse in the top right-hand corner of the sound and drag it to cover everything. A small menu will ask you to save the file to your folder. Select 'Send To' and the listed Soundtrack link for the Aiff audio project. With your video project selected on the FCP Audio track right click the mouse to bring up the sub menu. There is one other diamond for both video and music production when you are trying to get by on a budget: Soundtrack Pro.
Only the bottom few categories on the EQ filter are the actual EQ the rest are just filter settings, such as Gain. But have a play, as it thins the sound making it less muffled. The Apple EQ in FCP appears a little complicated. But the improved sound quality will make your production sound far superior. If you're adding music in stereo - that you have recorded the voice in mono - will not show. In Final Cut Pro (Studio 3) the Audio Mixer from the Tools drop down menu has a stereo slider allowing the user to manipulate where the sound exists within the stereo spectrum. Using It produces a mono recording on both tracks.
I use a mic that I bought on ebay, from a company in Manchester (UK), for £14. It is normal to record in mono - it's how the music industry record your music collection. Is this a presentation? Why record the sound in stereo when there is only one voice? This will add echo, which will cause production problems. The high end Panasonic video cameras have built-in noise reduction filters, which also reduce the noise. I recommend using the Camcorder batteries, which add almost no extra noise. Firstly, the power adapter will bring noise to the project. If you are dealing with the white noise created during video production there are several steps to consider. That's the basic forensic audio workflow. If you can identify non-white noise elements (hum, pops/clicks) use surgical dynamics and EQ to remove them. This is one of the main things "denoising" plugins do. Where there is signal, use spectral analysis to find out where in the frequency spectrum your desirable signal is, the use equalization to turn the gain down in parts of spectrum where there is nothing but noise.
This is "noise gating" and can be done by common plugins. Where there is no audio signal ("white space" or silences in the recording) just turn the gain down and you remove noise completely. So the noise reduction approach has two parts: For the most part your brain can't hear noise when it is masked by a real signal in the same frequency range. White noise by definition lives all across the frequency spectrum, and can't be distinguished from signal where they both exist. The bad news is that you can't remove white noise from a recording completely.
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